Architect’s own home renovation scores a hit with NZIA judges

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Auckland architect Pete Bossley’s individual dwelling renovation has caught the eye of his peers – the undertaking has been awarded a Housing – Alterations and Additions Award in this year’s NZIA Auckland Architecture Awards.

Bossley, who shares the household with his lover, artist Miriam van Wezel, describes the job as “a tale of loving iterations developed to accommodate expanding and contracting spouse and children and guests”.

He says it’s a area that has been constantly developing about 20 years, without the need of at any time acquiring an “end-game” in sight. “It has long gone from 3 bedrooms to four, back to three bedrooms and workspace, and could very well revert to 4 bedrooms if demanded.”

Fife House, architect Pete Bossley's own home that he shares with partner Miriam van Wezel, has received a Housing - Alterations and Additions award in the NZIA Auckland Architecture Awards.

SAM HARTNETT

Fife Residence, architect Pete Bossley’s own home that he shares with spouse Miriam van Wezel, has gained a Housing – Alterations and Additions award in the NZIA Auckland Architecture Awards.

The NZIA jury praised the “array of ‘adjustments’ performed out across the authentic household in excess of numerous years”.

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“Everywhere are times of considerate thing to consider and experimentation, but also accumulation, that allow for the house to echo deeply the shifting nature of its owners’ lived collaboration.

The project has also won a Resene Colour Award.

SAM HARTNETT

The venture has also gained a Resene Colour Award.

The jury stated the home was “rich in idiosyncratic envelope shifts, mobile things, unanticipated interconnections, and an affable reworking of front, back and facet yards” and offers ”an completely compelling vision of position-remaking”.

‘Not about image-all set tidiness’

Bossley has also admitted the house is not about “photo-ready tidiness”. “It is about living in comfort and ease with architectural delights: the central bathroom with a view through to the garden, the way early early morning shadows look across the ply and GRC fire surround, the informally hung artworks, the wavy handrail up the irregular entry steps……”

The architect says the house is constantly changing with no “end-game” in sight.

SAM HARTNETT

The architect states the house is constantly switching with no “end-game” in sight.

Colour plays a strong role, assuring the project also obtained a Resene Color Award, with the Resene judges indicating: “Colour is a medium that skilfully underscores the advanced spatiality deployed by both equally the architect and artist occupants of this excellent property alteration.

“Orange, inexperienced, crimson, blue – in all places they splendidly interact to nuance and intensify the each day designs of existence performed out below.”

Bossley states the new extensions are designed as “floating planes of color, clad in fibre-cement sheet with exposed fixings, to determine new elements from earlier iterations”.

“Internally, silver beech plywood and GRC (glass fibre-bolstered concrete) have been employed to create streams of identity flowing by means of the current areas.”

The interior is flooded with light and colour.

SAM HARTNETT

The interior is flooded with light-weight and colour.

Bossley says there has been no desire to make the rooms consistent. Different skirting details, for example, suggest different periods of construction.

SAM HARNETT

Bossley suggests there has been no wish to make the rooms reliable. Unique skirting facts, for case in point, recommend diverse periods of development.

The living room flows out to the elevated deck.

SAM HARTNETT

The living room flows out to the elevated deck.

The ground-floor studio also has a strong connection with the outdoors.

SAM HARTNETT

The floor-floor studio also has a sturdy relationship with the outdoor.

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Angela M. Arriola

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